Reading order
| # | Title | Published | Author | Buy on Amazon |
|---|---|---|---|---|
| 1 | Return of the Shadows | 1992 | Peter Abrahams / Spencer Quinn | Buy |
| 2 | The Lost Sailor | 1992 | Peter Abrahams / Spencer Quinn | Buy |
| 3 | The Same Wind | 1992 | Peter Abrahams / Spencer Quinn | Buy |
| 4 | Cowboy Ed | 1993 | Peter Abrahams / Spencer Quinn | Buy |
| 5 | Horses With Wings | 1993 | Peter Abrahams / Spencer Quinn | Buy |
| 6 | Hurricane City | 1993 | Peter Abrahams / Spencer Quinn | Buy |
| 7 | The Big Green Pocketbook | 1993 | Peter Abrahams / Spencer Quinn | Buy |
| 8 | Red Ribbon | 1995 | Peter Abrahams / Spencer Quinn | Buy |
| 9 | Asylum for Nightface | 1996 | Peter Abrahams / Spencer Quinn | Buy |
| 10 | Mean Margaret | 1997 | Peter Abrahams / Spencer Quinn | Buy |
| 11 | The Silent Spillbills | 1998 | Peter Abrahams / Spencer Quinn | Buy |
| 12 | Vanishing | 1999 | Peter Abrahams / Spencer Quinn | Buy |
| 13 | Brainboy and the DeathMaster | 2003 | Peter Abrahams / Spencer Quinn | Buy |
| 14 | Ariel | 2005 | Peter Abrahams / Spencer Quinn | Buy |
| 15 | The Midnight Diary of Zoya Blume | 2005 | Peter Abrahams / Spencer Quinn | Buy |
| 16 | Wind Rider | 2006 | Peter Abrahams / Spencer Quinn | Buy |
| 17 | Alive and Well in Prague, New York | 2008 | Peter Abrahams / Spencer Quinn | Buy |
| 18 | House of Dance | 2008 | Peter Abrahams / Spencer Quinn | Buy |
| 19 | I, Lorelei | 2009 | Peter Abrahams / Spencer Quinn | Buy |
| 20 | Reality Check | 2009 | Peter Abrahams / Spencer Quinn | Buy |
Peter Abrahams’ books under the Laura Geringer imprint cover nearly two decades of children’s and young adult fiction, from the early picture books Return of the Shadows and The Lost Sailor (both 1992) through the YA novels Reality Check and I, Lorelei (both 2009).
The range is considerable: picture books like Cowboy Ed and The Big Green Pocketbook sit alongside middle grade novels like Mean Margaret and Brainboy and the DeathMaster, and YA titles like Alive and Well in Prague, New York and House of Dance. The imprint published some of Abrahams’ most varied work before his Spencer Quinn persona took center stage.