Reading order
| # | Title | Published | Author | Buy on Amazon |
|---|---|---|---|---|
| 1 | The Heiress to Wolfskill | 1971 | John M. Kimbro | Buy |
| 2 | The House on Windswept Ridge | 1971 | John M. Kimbro | Buy |
| 3 | The Twisted Cameo | 1971 | John M. Kimbro | Buy |
| 4 | The Children of Houndstooth | 1972 | John M. Kimbro | Buy |
| 5 | The Broken Sphinx | 1972 | John M. Kimbro | Buy |
| 6 | Stepmother’s House | 1972 | John M. Kimbro | N/A |
| 7 | Cousin to Terror | 1972 | John M. Kimbro | N/A |
| 8 | Thanesworth House | 1972 | John M. Kimbro | Buy |
| 9 | Brother Sinister | 1973 | John M. Kimbro | N/A |
| 10 | The Three Sisters of Briarwick | 1973 | John M. Kimbro | Buy |
| 11 | The Specter of Dolphin Cove | 1973 | John M. Kimbro | Buy |
| 12 | The Phantom Flame of Wind House | 1973 | John M. Kimbro | N/A |
| 13 | The Shadow over Pheasant Heath | 1974 | John M. Kimbro | Buy |
| 14 | A Shriek in the Midnight Tower | 1975 | John M. Kimbro | Buy |
| 15 | The Haunted Portrait | 1976 | John M. Kimbro | Buy |
| 16 | Night of Tears | 1976 | John M. Kimbro | Buy |
| 17 | The Phantom Reflection | 1978 | John M. Kimbro | Buy |
| 18 | Three Cries of Terror | 1980 | John M. Kimbro | Buy |
| 19 | Concession | 1981 | John M. Kimbro | Buy |
| 20 | Star Eyes | 1983 | John M. Kimbro | Buy |
| 21 | The Lovely and the Lonely | 1984 | John M. Kimbro | Buy |
| 22 | Passion Allegro | 1985 | John M. Kimbro | Buy |
| 23 | The Right Time to Love | 1986 | John M. Kimbro | Buy |
| 24 | If Love Comes | 1987 | John M. Kimbro | Buy |
John M. Kimbro’s twenty-four standalone novels span his entire career, from his debut The Heiress to Wolfskill (1971) through If Love Comes (1987). The early books are firmly in the gothic romance tradition, with haunted houses, family secrets, and titles designed to set the mood: The House on Windswept Ridge, The Specter of Dolphin Cove, The Phantom Flame of Wind House.
As the 1970s gave way to the 1980s, Kimbro’s standalone work shifted toward broader romantic fiction. Books like The Lovely and the Lonely (1984) and The Right Time to Love (1986) traded eerie settings for more conventional love stories, though they kept his interest in family dynamics and emotional complexity.