Reading order
| # | Title | Published | Author | Buy on Amazon |
|---|---|---|---|---|
| 1 | Brit-pulp! | 1999 | China Mieville | Buy |
| 2 | Cities | 2003 | China Mieville | Buy |
| 3 | The Thackery T. Lambshead Pocket Guide to Eccentric & Discredited Diseases | 2003 | China Mieville | Buy |
| 4 | The Mammoth Book of Best New Horror 14 | 2003 | China Mieville | Buy |
| 5 | The Children of Cthulhu | 2003 | China Mieville | Buy |
| 6 | Breaking Windows | 2003 | China Mieville | Buy |
| 7 | Year’s Best Fantasy and Horror: Sixteenth Annual Collection | 2003 | China Mieville | Buy |
| 8 | Best New Horror 17 | 2006 | China Mieville | Buy |
| 9 | Year’s Best Fantasy and Horror: Nineteenth Annual Collection | 2006 | China Mieville | Buy |
| 10 | The New Weird | 2008 | China Mieville | N/A |
| 11 | The Thackery T. Lambshead Cabinet of Curiosities | 2011 | China Mieville | Buy |
| 12 | Creatures: Thirty Years of Monsters | 2011 | China Mieville | Buy |
| 13 | The Recent Weird | 2011 | China Mieville | Buy |
| 14 | New Cthulhu: The Recent Weird | 2011 | China Mieville | Buy |
| 15 | The Library Book | 2012 | China Mieville | Buy |
| 16 | Flotsam Fantastique: The Souvenir Book of World Fantasy Convention 2013 | 2013 | China Mieville | Buy |
| 17 | The Bestiary | 2015 | China Mieville | Buy |
| 18 | 2001: An Odyssey in Words | 2018 | China Mieville | Buy |
China Mieville’s anthology appearances span two decades and reflect his central place in the weird fiction and speculative literature communities. He has contributed to horror anthologies like The Children of Cthulhu and Best New Horror, fantasy collections like Year’s Best Fantasy and Horror, and genre-defining volumes like The New Weird (2008), which he co-edited with Ann VanderMeer.
Other notable anthology appearances include The Thackery T. Lambshead Pocket Guide to Eccentric & Discredited Diseases and its follow-up Cabinet of Curiosities, both collaborative humor-tinged reference works. His contributions to these collections span short stories, introductions, and editorial work, reinforcing his role as both a practitioner and advocate of weird and speculative fiction.