Reading order
| # | Title | Published | Author | Buy on Amazon |
|---|---|---|---|---|
| 1 | Bird Adalbert | 1985 | Andrew Clements | Buy |
| 2 | Noah and the Ark and the Animals | 1987 | Andrew Clements | Buy |
| 3 | Big Al | 1988 | Andrew Clements | Buy |
| 4 | Santa’s Secret Helper | 1990 | Andrew Clements | Buy |
| 5 | Temple Cat | 1991 | Andrew Clements | Buy |
| 6 | Mother Earth’s Counting Book | 1992 | Andrew Clements | Buy |
| 7 | Billy and the Bad Teacher | 1992 | Andrew Clements | Buy |
| 8 | Who Owns the Cow? | 1995 | Andrew Clements | Buy |
| 9 | Bright Christmas | 1996 | Andrew Clements | Buy |
| 10 | Phillip’s Birthday Book | 1996 | Andrew Clements | Buy |
| 11 | Music Time, Any Time | 1997 | Andrew Clements | Buy |
| 12 | Double Trouble in Walla Walla | 1997 | Andrew Clements | Buy |
| 13 | Snowden and the Christmas Joy Parade | 1999 | Andrew Clements | Buy |
| 14 | Workshop | 1999 | Andrew Clements | Buy |
| 15 | Hey Dad, Could I Borrow Your Hammer | 1999 | Andrew Clements | Buy |
| 16 | The Landry News | 1999 | Andrew Clements | Buy |
| 17 | Look Who’s In The Thanksgiving Play! | 1999 | Andrew Clements | Buy |
| 18 | The Secret Father’s Day Present | 2000 | Andrew Clements | Buy |
| 19 | The Janitor’s Boy | 2000 | Andrew Clements | Buy |
| 20 | The Mouse Family | 2000 | Andrew Clements | Buy |
| 21 | Circus Family Dog | 2000 | Andrew Clements | Buy |
| 22 | The Christmas Kitten | 2000 | Andrew Clements | Buy |
| 23 | The School Story | 2001 | Andrew Clements | Buy |
| 24 | The Jacket | 2002 | Andrew Clements | Buy |
| 25 | A Week in the Woods | 2002 | Andrew Clements | Buy |
| 26 | Big Al and Shrimpy | 2002 | Andrew Clements | Buy |
| 27 | The Report Card | 2004 | Andrew Clements | Buy |
| 28 | The Last Holiday Concert | 2004 | Andrew Clements | Buy |
| 29 | Robocat | 2004 | Andrew Clements | Buy |
| 30 | A Million Dots | 2005 | Andrew Clements | Buy |
| 31 | Lunch Money | 2005 | Andrew Clements | Buy |
| 32 | Because Your Daddy Loves You | 2005 | Andrew Clements | Buy |
| 33 | Room One: A Mystery or Two | 2006 | Andrew Clements | Buy |
| 34 | A Strange Day in Mayville | 2006 | Andrew Clements | Buy |
| 35 | The Big Gust | 2006 | Andrew Clements | Buy |
| 36 | Dogku | 2007 | Andrew Clements | Buy |
| 37 | No Talking | 2007 | Andrew Clements | Buy |
| 38 | Lost and Found | 2008 | Andrew Clements | Buy |
| 39 | Extra Credit | 2009 | Andrew Clements | Buy |
| 40 | Troublemaker | 2011 | Andrew Clements | Buy |
| 41 | Because Your Mommy Loves You | 2012 | Andrew Clements | Buy |
| 42 | About Average | 2012 | Andrew Clements | Buy |
| 43 | The Map Trap | 2014 | Andrew Clements | Buy |
| 44 | Because Your Grandparents Love You | 2015 | Andrew Clements | Buy |
| 45 | The Losers Club | 2017 | Andrew Clements | Buy |
| 46 | The Friendship War | 2019 | Andrew Clements | Buy |
Most of Andrew Clements’ standalone novels share a common setting: school. Not school as a backdrop, but school as a functioning social environment with its own politics, pressures, and occasional absurdities. Books like No Talking, in which a group of kids wage a contest to see who can speak less, and The Report Card, in which a genuinely gifted student deliberately gets bad grades to make a point, take the institutional reality of school seriously and then find the comedy or conflict hiding inside it.
Lunch Money is one of his strongest standalones, a story about a boy who starts making money selling homemade comic books at school and runs straight into questions about copyright, competition, and cooperation. A Week in the Woods deals with a wealthy kid who is new to a rural school and dismissive of everything around him until a disastrous camping trip forces him to reassess. These books tend to have one central idea that Clements works through carefully, and they rarely oversimplify the resolution.
His final standalone, The Friendship War, came out in February 2019, months before his death. It centers on a craze for collecting erasers that spreads through an elementary school, using it as a lens for looking at how trends work and how friendships change under social pressure. It is lighter in tone than some of his earlier work but carries the same interest in what kids actually think about when no adult is watching.