László Krasznahorkai books

László Krasznahorkai is a Hungarian literary novelist known for dense, long-sentence prose and novels that examine decay, obsession, and the disintegration of meaning.

László Krasznahorkai is a Hungarian novelist born in 1954 in Gyula. He studied Hungarian literature at the University of Szeged and worked as an editor before publishing his debut novel, Satantango, in 1985. The book follows the inhabitants of a decaying collective farm who become enthralled by a charismatic schemer, and it established the long-sentence, circular style that defines his work. Béla Tarr later adapted Satantango into a seven-hour film.

His subsequent novels, including The Melancholy of Resistance (1989) and War and War (1999), continued to examine figures caught in systems or situations that resist resolution. His prose tends to spiral inward, accumulating detail and dread without offering conventional narrative release. He has been translated into English by George Szirtes and Ottilie Mulzet, among others, and has received significant recognition in translation.

Krasznahorkai was awarded the Man Booker International Prize in 2015, with the award specifically noting the totality of his work rather than a single novel. He has lived in various countries including Germany, the United States, and Japan, and his later fiction reflects his time in East Asia, particularly the novel Seiobo There Below (2008), which meditates on Japanese art and ritual.


Frequently Asked Questions

How many books has László Krasznahorkai written?

László Krasznahorkai has written 0 books across 0 series.

What was László Krasznahorkai's first book?

László Krasznahorkai’s first novel was Satantango, published in 1985 in Hungary. It was later translated into English and adapted into a celebrated seven-hour film by Béla Tarr.

What is László Krasznahorkai's writing style like?

Krasznahorkai writes in long, rolling sentences that can extend for pages without a break. His prose is dense and deliberately disorienting, suited to themes of apocalypse, obsession, and the collapse of familiar order. He is often compared to Kafka and Beckett, and his work requires patient reading.

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